Showing posts with label Wearing History Pattern R109. Show all posts
Showing posts with label Wearing History Pattern R109. Show all posts

Friday, October 3, 2014

1910s Suit-A-Long - The Suit Jacket

This is it!  The final installment in the 1910s Suit-A-Long series!  This has been the most incredible learning experience as I moved into a new era with many new sewing, corsetry, and millinery techniques.  Having the support of the Sew-A-Long group on facebook was invaluable and motivating!  Thank you Lauren and all members!  The group has now changed names and if you enjoy this historical era we are located here:     1910s and WW1 Era Costumer's Support Group

This is the Wearing History pattern I'm using and I highly recommend it for this mid-era war-period impression.  Here is the link:     Wearing History 1910s Suit - Circa 1916 Pattern

I've already written about the corset, hat, undies, blouse, and skirt for this costume and the posts are listed here:

The corset:  http://theperfecttouchvictorian.blogspot.com/2014/06/historical-sew-fortnightly-challenge-12.html

The hat:     http://theperfecttouchvictorian.blogspot.com/2014/07/1910s-suit-long-hat.html
 
The undies:  http://theperfecttouchvictorian.blogspot.com/2014/07/1910s-suit-long-undies.html

The blouse:  http://theperfecttouchvictorian.blogspot.com/2014/08/1910s-suit-long-blouse.html
 

The skirt:  http://theperfecttouchvictorian.blogspot.com/2014/08/historical-sew-fortnightly-challenge-14.html

The color scheme for this suit is the skirt of a fine blue/green/ivory plaid with the buttons covered in ivory linen.  The same linen is used for the lining of the blouse.  It's also the same linen I used for the underthings, so as you have probably already guessed, I had quite a bit of ivory linen!  I purchased it from another costumer for a great price and love the color.  It is very delicate, however, and so I've also purchased an ivory muslin to interline the jacket.  In this photo you can see the unlined linen on the left and the linen lined with muslin on the right.   The muslin also turns out to be great for the structure of this jacket.
The first step then, because of my fabric choice, is to interline every panel with muslin, sewing inside the seam line along all edges.  Here are all the pieces cut from the linen and the muslin and the finished belt made from the same fabric as the skirt with the same linen covered buttons.
The pattern is very straightforward simply sewing side seams, cuffs, and a front collar facing.  I drape the pieces on my dressform as I sew to view the placement of the collar and to test button placement on the cuffs.
There is such an opportunity for creativity with this pattern for cuffs, collars, pockets, buttons, and belt!  My version is a bit simple in its use of combined fabrics for the jacket as my plan is to make another skirt and belt from a persimmon-colored fabric and I will be able to use the jacket again.  I've chosen to add interest to the jacket with the pleated collar.  It is simple to sew and although the attachment was a bit confusing for me at first, I simply stitched it completely through the jacket and then covered the attachment with a bias tape.
The jacket looks HUGE when complete!  It is a lot of fabric but when belted the shape is really flattering and the jacket hem flares the same way as the skirt hem.  It's a beautiful look!
I love the clean, simple lines of the suit with the over-the-top laced and feathered and flowered and bowed and pearled hat!

The addition of some mini-mosaic earrings and a pin put another bit of color to the costume and added the perfect touch!
 
It was exciting to complete this costume in time to wear to the Royal Ascot Tea at Costume College 2014.  My friend and Costume College roommate, Kay, made her Wearing History 1910s suit in a gorgeous plum checked linen and we had a wonderful time together!
In late September I attended a costume event in Pennsylvania - Steampunk unLimited at the Strasburg Rail Road.  Since we were so close to Winterthur Museum in Delaware and the Downton Abbey Costume Exhibit, we took a morning drive and toured the exhibit in costume.  My good friends Sharon, Mike, and Randi having a glorious day!

 
I hope you've enjoyed the journey into a new era for me and a new pattern for Wearing History!
 
Love always,
Jeanette

Saturday, August 9, 2014

Historical Sew Fortnightly Challenge #14 - Paisley and Plaid and 1910s Suit-A-Long - The Skirt

       

I could hardly believe my good fortune at being able to attend Costume College 2014!  I'm now home as I'm writing this and have to say that it is the most wonderful convention for all levels and tastes of costumers.  It is positive, energetic, sharing, and fun!  There were 158 first-time attendees this year.  I was one of them and felt so at home.  Of course, knowing many of these folks online and through Historical Sew Fortnightly was half the fun.

It's evident that of those who do costume during Costume College (not everyone does), many hours are spent preparing for the events.  I'll write a separate post about my costumes later but I've tried to meet some of the HSF Challenges with costumes I wanted for Costume College.  In the case of this Challenge #14 - Paisley and Plaid I went even further by making the skirt from a beautiful blue/green/ivory plaid for my 1910s Suit-A-Long with Wearing History.  How's that for planning?  Hahaha!  No, I'm not that organized!  Just luck, however, as it happened to be in the stash and went well with the $2.00/yard linen I had purchased.  These are my fabrics chosen in April for the suit, and the lace and trims for a hat.  (Click on any photo in the blog and you can see the full photo line of large photos.)



The skirt fabric is a royal blue and sage green with a raised thread of twisted ivory.  The plaid is small; just 1/4" between ivory stripes and it is a mid-weight almost upholstery feel material.  It laundered beautifully and ironed on the cotton/linen setting while still holding the structure I wanted to reproduce a style similar to this plate.
The pattern we're using in the 1910s Suit-A-Long is the newly introduced pattern from Wearing History R109 based on an April 1916 original pattern from McCalls.  The pattern has been redesigned for modern body types and comes in a wide range of sizes.  It is also available as a paper or e-pattern.  There is so much room for creativity and personal expression in this pattern with the different collars and lengths of both jacket and skirt and the addition of jacket pockets and cuffs.
I had already finished the hat, corset, underthings, and blouse for this project but as I'm only cutting fabric on July 18 and Costume College starts on July 31, I'm in a bit of a panic as to whether I can complete what seems to be a complicated costume.  My back-up plan (I always have one to put stress at bay) is to wear everything but the jacket in case that is all I finish.  So I measure what skirt length I desire and cut my fabric.  Yes, you read that right.  No mock-up!  Something I would never recommend but since I've sewn other Wearing History patterns with excellent results I'm confident on the sizing based on my experience.  And since the fabrics were free and cheap, I'm calling this my mock-up.

After I cut my skirt fabric I pin it on the dressform to see how the plaid lays for the skirt pieces and the outer belt.  The body of the skirt is two front halves with the skirt opening at the top center front, and a single back piece.
The front edges are finished with bias tape and folded inward...

...and the center fronts marked with chalk.  Then the front is sewn down the chalk mark leaving an opening at the top.

Because of the length of the skirt and the small plaid I used every pin I own to pin before sewing.  I would pin at every ivory line to make sure the pattern lined exactly and would not remove the pin until just before that section would be sewn.  While this took a while the alignment was worth the extra work.
The skirt extends above the waist and is held in place with an inner belt which has darts to hug your body curves when worn.  I had a burlap ribbon and doubled it for my inner belt.  Here is the inner belt completed.  The top edge of the skirt is pressed down 1/2".  There are 2 rows of gathering threads along the marked portion of the skirt back.


Then the inner belt is pinned to the skirt, the threads gathered to fit, and the inner belt and skirt sewn together along the upper edge.


Finishing the hem is a matter of choice as there are many examples of machine finished hems including the vintage example on Wearing History's blog regarding sewing this suit.  Since I'm doing a blind stitch and my fabric is heavy, I simply pleat in the excess fabric and hand sew.

Also because of the heavy fabric I decide to use hook and bar closures under each of the top decorative buttons rather than buttonholes and buttons.

The outer belt is simple.  It is simply 2 pieces sewn together, turned right sides out, and tacked to the skirt with French loops and the linen-covered buttons.  It is more decorative than functional as the inner belt is what hugs the waist to keep the skirt in place.

Here is my finished skirt!  It hangs and flows so beautifully!  I used 7/8" buttons covered with the linen that is the lining for the Wearing History blouse pattern and the same fabric I will use for the jacket.
Because of the gathering in the skirt back there is a lot of fullness in the back of the skirt while the front is a much smoother line.
Historical Sew Fortnightly
What It Is?  1910s Skirt
The Challenge:  #14 Paisley and Plaid
Fabric:  Mid-Weight Tightly Woven Cotton Plaid
Pattern:  Wearing History R109
Year:  1910s
Notions:  Inner belt material of burlap ribbon, bias tape, button kits, thread, hooks and bars
How historically accurate is it?  Based on a 1916 McCalls pattern and sewn from on-hand fabric which would have been completely patriotic during the war.
Hours to complete?  3 hours
First Worn:  Costume College 2014
Total Cost:  Fabric in stash but probably $12 if purchased, button kits $18, miscellaneous $4 = $34

In case you are wondering, yes!, I finished the suit!  Here is a preview but we'll save the details for the next post about the jacket.

Kay wearing her gorgeous plum checked suit from the same pattern.  We had photos taken at the Costume College Portrait Studio and will share those when they are available.  Sadly, we didn't take good photos of each other before the Ascot Tea!
Love always,
Jeanette