Showing posts with label Edwardian Rose. Show all posts
Showing posts with label Edwardian Rose. Show all posts

Saturday, June 30, 2018

Historical Sew Monthly Challenge #6 - Rebellion and Counter-Culture

Create an item that pays homage to fashion rebels and clothes that flaunt their place on the fringes of standard sartorial society, or that was signature to a rebelling cause.
The Dreamstress



Prior to 1795 women's fashions had retained a similar silhouette, with minor variations, for about 300 years.  Following the French Revolution and the Reign of Terror in 1794, a new style emerged reflecting the Revolutionary belief in the values of republican Rome.  Named from the French Revolutionary Government known as the Directory, Directoire style describes a brief transitional period from 1795 to 1799 in the decorative arts, fashion, and especially furniture design.

A cutaway jacket, or Directoire jacket, became popular during this period.  The jacket was cut short in front with a long tailcoat back.  The jacket style fell out of fashion around 1810.   In the early 20th century French designers brought the style back into fashion and it was very popular during 1912 and 1913.

The Fashion Archaeologist developed a pattern from an early 1912 French design and offered the pattern under their Edwardian Rose Antique Patterns line.


The elegant shape of the jacket comes from the cut of the pieces.  For the perfect drape I used a wool suiting fabric completely interlined (underlined) with silk organza, and lined with a very light faux silk fabric.  There were many pieces and the day I had them finally cut and organized on my bed was a wonderful day!


The outer assembly begins with underlining each piece with the silk organza and then assembling them as instructed.  The silk velvet cuffs and collar also underlined with silk organza and are pre-assembled and added.



The lining is assembled and includes the silk velvet lapel facings which are also underlined with silk organza.



The lining is stitched to the outer layer and a small opening left at the lower edge where the entire jacket is pulled through to its right side.  The opening is slip-stitched closed.  The interior of the cuffs is stitched to the lining.


The neckline is under-stitched by hand to prevent the lining from rolling outward when worn.



There are many small details, such as tacking the lining to the jacket in strategic places, that are all defined in the instructions.  The sash/belt is constructed separately as part of the jacket.  I covered buttons and added them to the jacket front and back and placed similar sized buttons on the skirt below the sash.  This was the finished jacket in April.



I love this suit and wore it for an event in April.  This past week I wanted to finish the suit according to the 1912 French illustration by adding the fringe to the collar.  Since I had not added fringe to the collar prior, I stitched the fringe next to the seam and through each upper loop of the fringe.


What a beautiful addition!  This is the suit for photos yesterday.





Historical Sew Monthly

The Challenge:  #6 June - Rebellion and Counter-Culture
Material:  Wool suiting, silk organza, silk velvet, faux silk lining
Pattern:  Edwardian Rose Antique Patterns:  Ladies 'Directoire' (Cutaway) Jacket
Year:  1912
Notions:  Thread, buttons for covering, fringe
How historically accurate is it?  Other than the synthetic lining, very accurate.
Hours to complete:  20 hours
First Worn:  Worn in April, but finished this past week and worn for photos
Total Cost:  $88.00 and $24.00 for pattern and shipping

Tasha Puppy likes the suit too!!


Wednesday, May 30, 2018

Historical Sew Monthly Challenge #5 - Specific to a Time of Day or Year}

May 2018 Challenge - Specific to a Time [of Day or Year]:  Historically, some garments were worn year round, and for a range of events.  Others were exclusively for certain times of year, or specific times of day.  Make one of the latter.
The Dreamstress
Another incredible upcoming costume exhibit at Biltmore Estate!  After two years of preparation the Estate is bringing the largest collection of costumes from the 1997 movie Titanic to display throughout Biltmore House.  So exciting!
Wanting to create something appropriate for the day tour I select a pattern for a 1912 Directoire (Cutaway) Jacket by Edwardian Rose on Etsy.

While I'm familiar with the jacket style and those enormous hats, I'm not familiar with the fur muff in the sketch and decide to do some research.

There are two books that are my first place to research for Victorian and Edwardian fashion.  Victorian Fashions & Costumes From Harper's Bazar: 1867 - 1898 by Stella Blum and Victorian and Edwardian Fashions from "La Mode Illustree" by JoAnne Olian.  The fashion plates from those eras are a wealth of information and additional research has always verified their correctness. 


Last December I made a velvet muff for an 1890 impression based on fashion plates from 1893.
I used The Faux Fur Muff Sewing Workbook by historicalsewing.com and added a little length to the historical fashion plate inspiration since I knew the weather would be cold and I wanted to tuck my hands deep inside.



Some more research from Harper's Bazar and La Mode Illustree:

Harper's Bazar 1869

Harper's Bazar 1877

Harper's Bazar 1885

La Mode Ilustree 1901

La Mode Ilustree 1905

La Mode Ilustree 1909

La Mode Ilustree 1909

La Mode Ilustree 1909

La Mode Ilustree 1909

La Mode Ilustree 1912

La Mode Ilustree 1912
La Mode Ilustree 1913
Now that I am certain of the size of this beautiful and functional accessory and I am uncertain of the weather in our mountains in April, I think this will be perfect for my 1912 suit.

I've been studying the 18th century in hopes of creating some costume from that period in 2019.  American Duchess has published the 18th Century Dressmaking book and what do I find?  That the giant fur muff was an accessory in that period as well!  And there is a perfect pattern and instruction for my 1912 muff.




Using a black ribbed faux fur, a seafoam green satin for lining, and readily available polyfill (since down feathers are not as readily available to me as they were to my 18th century sisters), I create the fur muff with a hidden pocket for my 21st century phone.

Polyfill, satin, grosgrain ribbon, faux fur.

Grosgrain ribbon sewn to the faux fur, satin attached.

Horizontal seam sewn shut with opening left for polyfill and pocket.  Polyfill stuffed as desired.

The interior pocket sewn.

Lining edges pinned, pocket edges pinned, then pocket inserted and hand stitched together.

An interior pocket!

A finished fur muff!

It really is the perfect accessory for the 1912 suit and large hat.

On April 14, 2018, 106 years after the Titanic disaster, our group tours Biltmore Estate and the Titanic movie costume exhibit.  This is Rochelle Rose, the actress who played the Countess of Rothes in the 1997 movie and a guest for the weekend, my husband in the best Captain Edward J. Smith impression I could muster, and me with my giant muff accessory.  There were 22 of us at a weekend I had organized and we costumed the entire weekend!  But that is another wonderful story for another blog post.



Historical Sew Monthly

The Challenge:  #5 Specific to a Time
Material:  Faux fur, satin
Pattern:  American Duchess 18th Century Dressmaking
Year:  1912
Notions:  Grosgrain ribbon, thread, polyfill
How historically accurate is it?  Accurate in impression, with modern materials.
Hours to complete:  2
First worn:  April 14, 2018  Party Like A Vanderbilt Event
Total cost:  $22