Friday, September 11, 2015

Historical Sew Monthly Challenge #5 - Practicality

"The women know that life must go on and that the needs of life must be met and it is through their courage and determination which, time and again, have pulled us through worse crises than the present one."
Mrs. Franklin D. Roosevelt
 
 
In 1933 Eleanor Roosevelt's book It's Up to the Women called on American women to help bring the country through its economic crisis.  The Great Depression was the gravest that the United States and the world had faced in recent times and while so many were without income, the families' needs had to be met for survival.
 
During the Great Depression women made up 25% of the work force.  They were single, divorced, widowed and even abandoned by men who were unable to fulfill their role as "breadwinner".  Practicality was not a fad, practicality was a necessity.
 
A working women would still be required to have her dress or suit for work and chances were she fashioned her own to save money.
 
Vogue Patterns re-release of V8686 as a Vintage Vogue is based on their original design from 1933.
 
 
The design is practical using a funnel collar, side closure, raglan sleeves, and a detachable peplum which all together uses minimal fabric for a very sophisticated look.  I could imagine a lady in 1933 sewing this dress for her job interview and wearing it on the job with different accessories.  She could even dress it up and wear it for an evening occasion.
 
The perfect navy blue twill fabric was in my stash - given to me by my husband's mother.  She was a caterer and probably had used it to drape a table for a wedding.  Practical use by her and now practical use by me.
 
Some online auctions led me to this wonderful vintage hat and handbag.  The gloves and shoes are more current but the look and price make them my practical choice.
I've never sewn anything from this period before and it is quite the learning experience for me!  The neckline darts and gathers at both the waistline and armhole edge of the bodice create the bust fullness.

 
The instructions for this pattern are thorough and guide me through all the interfacing and facings necessary for the funnel neckline and sleeve edgings, all of which have such beautiful detail.
 
 
The sleeves are attached to the bodice partly with an inside seam and partly with an overlap and edge stitch.  Everything is illustrated in the pattern instructions and before long I have a beautiful bodice for the dress.

Now came the tricky part.  Bound buttonholes!  I've had enough drama just learning to make decent buttonholes with a sewing machine and by hand and now here is something new.  But I've sworn to be true to the pattern and so I dive in.
 
The steps are to pin what will become the buttonhole binding to the right side of the fabric, stitch along the lines I have transferred from the pattern.




 
 
Slash along the lines between the stitching and clipping diagonally to the corners.  I use a single-edge razor to slash.
 
 
 
 
Turn the buttonhole binding to the inside which encases the raw edge and tack ends in place.  The opening is also whipstitched shut to keep everything in line.  The whipstitching will be removed when the buttonholes are completely finished.
 







 
At this point a facing is added to the collar which covers the buttonholes.  An opening is slashed into the facing, clipped to the corners matching the buttonhole opening, and then the raw edges are turned under and sewn down to create the bound buttonhole.  I admit, these are beautiful!  A lot of work but so worthwhile!



 
The skirt is quick with two back darts and a hem with side seam slit.  The skirt attaches to the bodice with overlap seams and topstitching and there is a side opening with snaps.  Buttons, a lot of hand stitching of facings and hem, a sweet little peplum with buckle, and the dress is ready!
 
 
 



I wore the dress to the Nancy Drew Mystery Tea at Costume College.  I'm still waiting for those pictures from the photographer but here are photos I took today.


And, of course, my favorite part - accessories, the perfect touch for any costume:




The vintage girdle that makes those smooth hiplines.  Isn't that an engineering nightmare?!  And, because I know you're wondering, yes it's very comfortable.

A practical lady in 1933 might have accessorized her dress with a pop of color for a special occasion.
 

So this will go into my draft folder until the Costume College photos are ready.
 
Edited September 11, 2015
 
The photographs from Costume College are here and since I wore this suit to the Nancy Drew Tea on Sunday, the last day of Costume College, the photos were the last to be uploaded.  But I'm happy that I saved the suit as a surprise at Costume College, and now I can share it here.
 
 
 
 

 
 
The tea was delightful with tablemates Drew, Kay, Jerry, and Liz!
 
Amy and I shopping in the Marketplace.

 
Historical Sew Fortnightly
 
What It Is:  1933 Suit
The Challenge:  #5 Practicality
Fabric:  Twill
Pattern:  Vintage Vogue V8686
Year:  1933
Notions:  Buttons, buckle
How historically accurate is it?  Very.  It is a re-release of a vintage Vogue pattern from 1933.  Completely followed instructions to keep it historically accurate. 
Hours to complete?  12 hours
First Worn:  Costume College 2015 for the Nancy Drew Tea
Total Cost:  $6.00 for notions.  The fabric was given to me by my husband's mother. I think she would have loved my use of it!
 
Love always,
Jeanette
 




Thursday, September 10, 2015

The Manet Miracle


Miracle:

1.  an extraordinary event manifesting divine intervention in human affairs
2.  an extremely outstanding or unusual event, thing, or accomplishment
The Merriam-Webster Online Dictionary

This story I'm about to share has so many beautiful twists and happenings that the only word I can use to describe it is "miracle".  It has become a once-in-a-lifetime thread of sheer happiness that will for the rest of my life bring a smile accompanied by a shake of my head as I ponder how this all occurred.  Read on and share with me what word you would choose to describe this series of events.

It started with facebook and a friend named Josie.  Josie posted that she wanted to fill facebook with beautiful art and whomever would comment on her post would be assigned an artist.  I commented.  She assigned.  Manet.  An artist I had heard of but had never really studied his works.  I am an engineer by profession and a costumer by hobby and the fine arts have not been part of my life where the demands of living took so much of my time.  But now that I'm semi retired with access to the sum total of human knowledge at my fingertips, I can pursue those things I've missed.

I am immediately taken with Manet's works and choose to post Le Printemps to brighten Josie's and my facebook world.

Edouard Manet, French Impressionist, 1832 - 1883



These are valuable websites to learn about Manet and view his paintings:

http://www.manet.org/

http://www.edouardmanet.com/theframe.html

As I enjoy the first spring of my retirement and my participation in The Historical Sew Fortnightly Challenges, I decide to recreate the bonnet in Manet's painting.  Le Printemps, or Spring, was created by Manet in 1881 and first presented at the 1882 Paris Salon.  It depicts actress Jeanne Demarsy in a floral dress and bonnet as an expression of spring.

In Spring 2014 I recreate the bonnet.

http://theperfecttouchvictorian.blogspot.com/search/label/Manet%20Spring%20Bonnet



In Summer 2014 I create a gown envisioning what I believe the full gown to look like.
http://theperfecttouchvictorian.blogspot.com/search/label/Manet%20Spring%20Gown


In the Fall of 2014 I recover a parasol and write this tutorial.
http://theperfecttouchvictorian.blogspot.com/search/label/Manet%20Spring%20Parasol


Lastly, I sew the gold silk gloves.
http://theperfecttouchvictorian.blogspot.com/search/label/Manet%20Spring%20Gloves
I'm thrilled to have recreated all the items from Manet's Spring and as happens to many of my costumes, all goes into storage waiting for the perfect opportunity to be worn.  And that opportunity comes in Spring 2015 when a group of costumers meet at the Biltmore Estate in Asheville, North Carolina during the highlight of the Biltmore Gardens season.

Dressed in complete Victorian costume, my friends Judith and Bill and myself tour Biltmore House and Gardens on a perfect spring day in April.




It is the perfect time to recreate the Manet painting!


What a journey over the past year!  I am thrilled to have followed this dream!  My continuing research reveals a sketch that Manet made entitled "young woman taking a walk holding an open umbrella". 

The sketch looks like the start of the Spring painting and I'm pleased to see that I envisioned the gown well.

The end of a wonderful project!  Wouldn't you agree?  The painting is in St Petersburg Russia and the chance of my ever seeing it are so slim.  Yet as I search the internet one day I discover a 6 November 2014 article in the Daily Mail that "Spring" has sold at Christie's in New York for $65.125 million.  The purchaser?  The J. Paul Getty Museum in Los Angeles, California.  The painting was currently on view at the Getty Center, Museum West Pavilion, Gallery W204.  And where am I going in July?  To Los Angeles to teach and attend Costume College 2015.  I will be just an hour away!

http://www.dailymail.co.uk/news/article-2821473/Manet-Chagall-NYC-art-auction.html

http://www.dailymail.co.uk/wires/ap/article-2824073/Getty-Museum-acquires-Manets-Spring.html

The April event at Biltmore Estate also brought me the opportunity to finally meet Marie-Jo and Michel.  They came to North Carolina from California for the event and were an absolute joy to meet!  Then they offered me the opportunity that I could not have even imagined - they would take me to The Getty Museum to see the painting while I was in Los Angeles for Costume College!  !!  !!!  !!!! !!!!!

Oh my heavens and stars!  On Saturday afternoon of Costume College I've changed into my costume, Marie-Jo and Michel have brought the car and a picnic lunch, and we are off to The Getty Museum to see Manet's Spring!























As I write this post and see the long progression and incredible conclusion of this project, I'm in awe of the timing.  But more than that I am in awe of this painting and the breathtaking beauty created by such a master.  The painting truly takes your breath away as you stand before it.  I can now completely understand why it has endured and been treasured these years and am so thankful it is here for so many more people to enjoy!

While Manet had intended to create works of all four seasons he only completed "Spring - Jeanne Demarsy" and "Autumn - Study of Mery Laurent" before his death in 1883 at age 51.


Thank you to Judith and Bill!  Thank you to Marie-Jo and Michel!  I've enjoyed sharing this journey with all of you!

Is this the end of the journey?  No, as there are some surprises in the works!

Enjoy all of life's miracles,
love always,
Jeanette